Tag Archives: #davidbellamyart

David Bellamy – Painting limestone scenery in watercolour

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I’ve managed a pretty wild and wonderful autumn this year, though it has left me breathlessly out of kilter on the blog-writing front, I’m afraid. How I wish there was more time for writing, which I love, but sadly in this robotic world there are so many threats to writers and their writing-time. For eample, in New Zealand their libraries archive has intended to put thousands of books’ contents onto the internet, but it seems that after world-wide protests they’ve just realised there’s a thing called copyright involved!

 We’ve been blessed with a gorgeous little grand-daughter by the name of Beatrix, and look forward to meeting her on the run-up to Christmas. Her Dad’s going to be performing in pantomime at Margate, so it’s going to be a bit riotous, Covid-permitting, of course.

 This is a watercolour sketch of Gordale Scar in Yorkshire, carried out on a beautiful calm, sunny afternoon in October while sitting in a most uncomfortable position on extremely steep ground high above the valley. The light falling on the limestone really made the rock stand out, particularly against the shadowy parts. It is deliberately overworked so that I have all the details to produce a large studio watercolour, and my awkward position didn’t help. This is actually only the right-hand half of the composition and the cartridge paper has been left unpainted where the sunlight is hitting the limestone. 
   
There is too much green for my liking, but grass growing on limestone has that intense colour, and I wanted to record a faithful rendering. In a studio painting I will doubtless take more liberties, lose a lot of hard edges and make other adjustments, but my point here really is to show how working out of doors like this is to me not just a means of acquiring the information for a finished painting, but also of observing how the traditional approach will appear, so that I can see where I need to be more creative in the later attempt.

The Covid-induced layoff has been a real nuisance, but we are now organising courses for 2022 as you will find on my website .  There is one in Mid-Wales in April, and another in Cornwall in September, both popular locations with lots of interesting subjects. I may well be adding more in due course. Also on the website you will find information on my books, the last one published being the Landscapes Through the Seasons in Watercolour, and they are all available via the website

I hope you are managing to get out and about with your sketching and painting gear – even in December we can get some lovely days, and the low light can create some fabulous cast shadows.

David Bellamy – Creating Autumn Still Lifes

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Wandering through the woodlands at this time is a real pleasure for the artist, with the great variety of warm colours as the leaves turn. I can’t resist picking up a handful of leaves and taking them back to the studio to play with. There’s nothing like the process of experimenting with artistic ideas for stimulating our work, even if you have tried the particular process before.

    A branch of leaves – or perhaps I should say, a twig of leaves in case we get too carried away – can make a superlative still life subject, but here I have pushed the leaves into thick watercolour paint straight out of the tube, applying a few different colours for each leaf before placing them on the paper. With a sheet of tissue paper over the leaf I then rub it with fingers to create the image. It can be hit or miss, but when it works the result can be inspiring. You can work in two or three leaf images in this way and perhaps add some spatter and further detail, lettering, collage or whatever. The addition of a little thickener such as Winsor & Newton’s Aquapasta may help improve your results.

    You can get ideas on painting autumn scenes in my Landscapes Through the Seasons book, available through my website  

    We are now planning painting courses for 2022, and details of these should be released before long. At the moment I’m spending a lot of the time away from the studio, so these blogs have been in short supply. Anyway, enjoy your autumn painting and do have a go at recording those stunning leaf shapes in one form or another!

David Bellamy – The importance of your little blobs

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 I see my last blog was on 1st July, the long gap being the result of an all-action summer with little time for writing. In August I visited Germany, partly to do some research and partly as a holiday. Getting round the Covid tests proved quite a challenge, creating stress and uncertainty on occasion. In Wales I ordered a self-test from Boots, only to find I could not send it in time because there were no Priority Post-Boxes in the area, although the Royal Mail showed plenty of these around, including one apparently in Llanelwedd Quarry of all places! This is totally unacceptable behaviour.

In Pembrokeshire I’ve recently dropped off a number of paintings at the Waterfront Gallery in Milford Haven. The gallery shows a wide variety of paintings styles and is a very pleasant place to visit. 

This is part of one of the paintings at the gallery, and shows a quiet corner of the composition. The centre of interest is away to the left, off-picture here, and the boat acts as a means to balance the composition. I did not wish to make it too prominent, so I lost the bottom of the blue hull in the muddy foreshore and dotted in white gouache blobs here and there to add interest in suggesting seagulls. On such a small scale it’s not easy to give the impression of birds, but I used a number one rigger and tested the white gouache on dark rough paper before applying it to the actual painting. This method also has the advantage of getting rid of excess white paint on the brush before doing it for real. If you over-blob and get a ghastly mess, simply wash it off with a damp brush, dry the area with a tissue and wait till the paper is dry and then try again. With practice you’ll find this will improve enormously.

I shall try to make my blogs more regular in future, but the call of the wild is hard to resist……..

David Bellamy – Creating a tranquil mood in a landscape painting

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As many of you will be aware, I love painting wild seas crashing on a rugged coast, but there is much to be said for the calmer moments. To emphasise this you need to concentrate on the horizontal elements as you will see in the painting below.

As you can see, the sky comprises a series of horizontal cloud effects of evening light, and this is further emphasised by the long, horizontal horizon, with the vertical features such as the mature trees pushed well into the distance. To further enhance the calm mood of the scene the washes laid over the estuary are flat, undetailed ones, and even the line of waders in the foreground conforms to a horizontal pattern. And what if you’re looking for a suitable animal to include in a calm scene – well for me none can compare with the dear old Friesian cow for suggesting a scene of utter calm and tranquility.

This painting can be found in my Seas & Shorelines in Watercolour book which is available from my website  The original painting is on display in the Attic Gallery in Swansea, Tel. 01792 653387  The gallery is open from Wednesday to Saturday 10am to 4pm and can be found at 37 Pockett’s Wharf, Swansea, SA1 3XL where a number of my paintings are on display at the gallery with a lot of other exciting artwork.

    Enjoy your painting!

David Bellamy -Painting stormy seas

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 This summer marks 40 years of my writing articles for Leisure Painter magazine, and the current issue (July 2021) contains an article celebrating this close relationship. Ingrid Lyon and her team are indeed lovely people to work with. The excellent Painters-online run by Leisure Painter and The Artist is also showing a film I recently made on how to paint a penguin, which you can see at  https://www.painters-online.co.uk/tips-techniques/watercolour/articles/how-to-paint-a-penguin-in-watercolour/    This was done from an expedition to Chile many years ago, when I visited a penguin colony near Puntas Arenas on the way to the Andes.

    I recently dropped some paintings in to the Waterfront Gallery in Milford Haven. It’s a lovely gallery on the quayside with plenty of parking and sketching space if you like painting boats and other things that bob about, so if you’re in or around Pembrokeshire do pop in if you have a moment.

    This is part of one of the paintings I left at the gallery, showing huge Atlantic breakers hitting the cliffs at Linney Head in extremely wild seas. I achieved the white splashes by leaving that part as untouched paper, but wetting the area to float in the blue-grey colour of the cliffs to define the splashes wet-in-wet in a negative way. When the paper had dried I then sharpened up some of the edges with the blue-grey wash, thus creating a varied edge around the splash. Do be extremely careful if you go out on a day like this, as the sea can be really unforgiving!