June is that time in the year when the Patchings Arts Festival takes place near the village of Calverton, just north of Nottingham, and this year will be my 17th appearance there at the St Cuthberts Mill Celebrity Marquee. It’s a marvellous, summery art event in the countryside, with lots of fantastic artists demonstrating, and equally fantastic crafts-people displaying their wares, not to forget the band lending a festival note.
Author Archives: David Bellamy
Twilight of the Welsh countryside
The natural environment has always been close to my heart, and I was lucky enough to be born and brought up in a rural idyll in Wales. Walking and painting in this stunningly beautiful countryside has heightened my awareness of what we are about to lose if the British government’s plans for the industrialisation of most of Mid-Wales with gigantic wind turbines goes ahead. This is not confined to Mid-Wales, and the devastating effects on a hitherto unprecedented scale will most certainly not be limited to just the destruction of this glorious landscape, but has cataclysmic consequences for the local population.
Tourism is the lifeblood of our region, but how many tourists will come to see hills and moors flooded with wind turbines, completely dwarfing every other feature in the landscape? The local economy will be destroyed and a great many small businesses, including artists and crafts-people, will fold up. The authorities tell us that there will be around seven years of over-size, slow-moving convoys carrying turbines, clagging up our roads, needing new bridges, re-aligned bends and demolished street furniture, while at the same time under-mining old buildings beside the roads: visitors, locals and emergency services will be badly affected. Turbines, despite government ‘reassurances’, create an insidious low-frequency noise that many people simply cannot live with, and some have to abandon their homes. Many homes become unsellable. Most have their value reduced considerably. Turbines explode and catch fire at times, when they become highly dangerous as they emit toxic fumes over a wide area. A report in Scotland states that for every wind energy job created 3.7 jobs are lost.
Would all this sacrifice be acceptable if wind energy was an effective energy system? This is rather academic, as wind, given its intermittency, produces such little power and needs so much back-up from conventional power stations that large-scale wind farms can only be seen as a great liability. It is, however, an extremely effective source of income for the developers, for energy corporations (most of whom are foreign and therefore making a joke of government policy), for large land-owners and for many politicians. At the expense of local people, many on the poverty line.
We now know in Wales what the West means when it insists on democracy created at the point of a rifle: it does not exist here, in its acceptable form, and unless this vindictive assault on our communities and countryside is not stopped, before long there won’t be a landscape here for us to paint. See also National Opposition to Windfarms Artists Against Windfarms
How much water?
I’m sure you’ll all agree that water is a pretty important ingredient in the act of watercolour painting, yet the way some people paint you might wonder if there is a permanent drought. How much water should you use? This, of course, varies considerably, depending on what you are actually trying to achieve. The traditional watercolour wash is a very fluid mixture: a liquid pool of colour which can be of varying colour intensity that is easily applied with a large brush.
Sketching peculiar characters
It’s been rather wet here lately, bucketing down at times, but I haven’t been able to get out much to take advantage of such atmosphere because of too many deadlines. Sunshine is marvellous for walking and sketching, but the countryside has such glories to show us, whatever the weather. Rain can be quite stimulating, and of course you never know who you’re going to meet on the hills – this chap was clearly enjoying himself, and was well equipped for the conditions.
Whether it was his wife’s frilly pink parasol, or his own, I cared not, though the sharpened pole might have caused concern amongst some. Had I not ventured forth into the Alpine monsoon I’d have missed this glorious spectacle, and naturally my sketchbook was quickly whipped out and the vital aspects of the figure rendered on paper that became rather wet after only a few moments.
I have to hand it to these characters, allowing themselves to be seen with such outlandish accessories. Over the years I’ve accumulated many books of sketches of this more outgoing type of person, a wonderful antidote for those rainy days when you are stuck indoors feeling miserable when your sketching/painting/bog-snorkelling or pancake tossing efforts have gone slightly astray. A small A6 sketchbook, a soft pencil and a few quick lines is all it takes to capture the important points, and the image can be embellished later.
I shall be demonstrating watercolour painting for PONTERWYD & DISTRICT ART CLUB at Syr John Rhys School Hall, Ponterwyd, in Ceredigion between 7 and 9pm on Wednesday 6th June. You are welcome to come along – there is a charge for non-members and information is available from Jenny Dee on 01970 890664
Direct sunlight bleaching out detail in trees
Capturing sunlight effects in watercolour can be a magical, though sometimes a little less than magical experience, depending on the result. One effect that many artists ignore is that of the sunlight burning out the detail of branches when you look directly into a low sun, yet it can enhance a landscape immeasurably. Usually we observe it only when it intrudes on our scene as backlighting towards sunset, but it is easy enough to go out on a sunny evening and seek out a suitable example.