My exhibition at Erwood Station was a great success with sales, interest and raising money for the Campaign for the Protection of Rural Wales,although the initial part proved a little difficult as I was under the weather for a while. It’s great to have exhibitions in the major galleries, but this time I was really happy to do something locally.
Erwood Station will continue displaying some of my work, and it’s a lovely place to visit.The scene I am showing today is a watercolour of the Brecon Beacons where I have used lighting effects to create interest. Before carrying out a painting it really helps if you consider your ligting arrangement beforehand. This particular composition shows quite complicated lighting areas, and for this I did a preliminary studio sketch with emphasis on the tonal values of the various passages. Normally I prefer to let the main light flood over the focal point – in this case the farmhouse and outbuildings, but I strayed from the norm here by keeping an area of light in the middle distance, beyond the farm, with the farm itself not especially well-lit. Trying new variations from your usual approach can be exciting and lead to interesting effects. The light on the background peaks provides variation, though I did not want this to compete too strongly with the focal point. I love interesting skies and sometimes indulge in cloud-watching for some time, and although this composition could well have been served effectively with a simple sky, I often can’t resist working up a cloud mass that contains a striking patch of light as in this case. Do take time to consider your lighting treatment in your painting as it can make a terrific difference to a work.
Category Archives: Erwood Station Gallery
David Bellamy – Creating textures on rocks
It was something of a relief to learn that my blog post of last week had worked, and many thanks to those of you who confirmed you had received the post and image OK. Anyway, I’m doing my best now to make sure that things get back to normal.
The image this time is another view of the River Wye, which like many of our rivers desperately needs help to stop the ongoing pollution caused by intensive poultry farming, and sewage release. For this painting I chose Waterford rough paper to emphasise the ragged edges of the fast-flowing water and in particular to achieve the interesting texture on the large rock at the bottom left-hand corner. I brought the sky wash of cobalt blue down over the rock, weakly at this point, and when this was dry I smothered much of the rock, apart from where the light was catching the top, with strong yellow ochre, using the side of a no. 10 round sable to create a broken wash. Again, I let this dry and then introduced the green parts to suggest moss. For this I used a mixture of green apatite genuine and yellow ochre, again spreading it with the side of the brush. Finally, once that had dried I took a fine-pointed no. 6 sable and drew in the crevices with a mixture of burnt umber and French ultramarine. The painting is part of my exhibition of paintings of the Wye at Erwood Station Gallery & Craft Centre from 23rd September to Sunday 15th October and is open daily. On 23rd and 24th September there will be many eco-based activities at the Centre, and on the Sunday, which is World Rivers Day, the Goddess of the Wye will be entertaining. Erwood Station is a lovely location a few miles south of Builth Wells, just off the A470, a much-loved venue in the heart of beautiful scenery. On Monday 25th September I shall be giving a watercolour demonstration on painting the Wye at the Centre, and will be covering techniques for capturing running water, sparkling water, placid water with reflections, and of course rocks, trees and the atmosphere. This is a ticket-only event with proceeds going to the Campaign for the Protection of Rural Wales who will also be putting on a display of their work to protect our rivers. The demo starts at 7pm and tickets and information can be obtained from 01982 560555 or email erwoodstation@hotmail.com
David Bellamy – Painting the Wye
It’s been some time since I last created a blog post – the problem has been that the Blogspot blogging software appears to have been crapulated by the blogging company without warning or providing any idea of how to fix it. The pictures simply appear as a string of incomprehensible characters, which of course, is not what you would want to see. Additionally I have been away from home a lot this summer, but now we’re trying to fix it.
The image I have before me is an 8-line string of characters, but I am hoping that the resulting image on your screens will be a watercolour of the River Wye in Summer. The mountain and water have been kept simple, the more distant water a horizontal sweep of cobalt blue with very little water on the brush, softening down into a light area, with some dark reflections introduced at the sides. The dark tones on the closer trees suggest the impression of distance in the composition. I have over-done the foreground flower collection a bit, but sometimes it is interesting to include strong detail in the foreground when most of the composition is quite simple. The painting will be part of a small exhibition at Erwood Station Gallery & Craft Centre, which lies a few miles south of Builth Wells in Powys. It starts on Saturday 23rd September and runs until 15th October, every day. I shall be giving a demonstration of painting the Wye in watercolour on Monday 25th September at 7pm, admission by ticket only because of limited space. Telephone 01982 560555 for the Centre. More details with the next blog which hopefully will have all the problems resolved, although at the moment I’m more inclined to believe in magic than these software geeks!