Category Archives: atmosphere

Getting out of a rut – Misty marsh in Pan Pastel

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Misty marsh in Pan Pastel

Misty marsh in Pan Pastel

The inspiration for a painting can come in many shapes and forms but most frequently it is a combination of atmosphere and light that sparks the fire.

The sparkle of light on water and a gauze of mist lends enchantment to almost any scene.

In this painting the misty effect was achieved with Pan Pastels on a sheet of white Clairefontaine Pastel Mat paper.

The method of applying the Pan Pastel colour with sponges naturally lends itself to soft edges. The water is mainly the paper left untouched but the highlights on the clouds were created with a small Sofft

tm tool which looks like a plastic palette knife with a sponge sleeve and is very effective for smaller areas.

The challenge of working with Pan Pastels, which does not lend itself readily to creating sharp edges, has made me re-evaluate the amount of fine detail I include in a painting and has ‘loosened up’ my recent work. Working with different methods of applying colour is a stimulus that can get you out of a rut.

Go on try something new.

I will be running a pastel painting course in Cheddar next autumn if you would like to learn more about my methods of working.

Experimenting

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Twilight Cottage

In order to develop our painting skills, it is a good idea to experiment from time to time, Often this starts with just making a bit of a mess. A while ago I wanted to try using Mixed Media on the sandpaper, Fisher 400 Artpaper, that I love to use for my pastel paintings, as I was aware that it was waterproof, unlike the industrial sandpaper that I used before Fisher 400 was produced.

This painting of Twilight Cottage, started with an ink outline of the building, followed by a watercolour wash of Naples Yellow and Ultramarine in the sky and Cadmium Orange and Cadmium Yellow in the foreground. I let this all mingle and some of the ink drawing ran into the washes.

At first I thought that this was a mistake but when it was dry the dirtyness of the cottage appealed to me and also suggested a low light. So I worked into the painting with pastel, leaving large areas of the watercolour washes showing and added some undergrowth in the foreground with the scraping technique, which involves scraping flakes of pastel onto the painting and pressing them into the surface with a palette knife. This creates a spatter which resembles flowers or seed heads.

You can read how to create the scraping technique in my book, and you can see it demonstrated in film on my DVD,. The book and dvd are entitled Painting with Pastel and are on special offer our website.

Recession

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Light and Atmosphere on the Black Mountains

Light and Atmosphere on the Black Mountains

Yesterday David and I went for a walk on the hills above our home and it occurred to me that this view of the Black Mountains illustrates perfectly aerial perspective, or recession.

Notice how the distant mountains are blue, the middle distance hill is blue/green, the bright green fields are cool green with touches of blue/green shadow and the foreground bracken is warm yellow/green.

In reality all these greens are similar in colour temperature but the atmosphere between gives this effect and it is the key to creating the illusion of a three dimensional space on a two dimensional painting surface.

This autumn David and I are demonstrating this and many other aspects of painting the landscape in two Seminars. David will be demonstrating in watercolour in Great Bookham, Surrey. Details are on the website. Also you can see detail of our painting courses for 2012 in Yorkshire, Mid Wales, Somerset and Pembrokeshire. You can also download a copy of our annual newsletter and order form.

We are also taking part in a joint exhibition at Aberglasney Gardens this month. Entry to the preview and the gardens is free from 6.30 to 9.00 p.m. on 9th September.